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Dudley Performing Arts

Call and response

Displaying 1 to 13 of 13 resources labelled with 'Call and response'

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Taken from "Jambo and Other Call and Response Songs and Chants". Folkways Records / Smithsonian Folkways

For use in Key Stage 3 go to: www.standards.dfes.gov.uk/schemes2/secondary_music/mus02/02q1?view=get

Official classification: Call and response, Audio, Unit 19 Songwriter, Curriculum support, Unit 2. Form and structure

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Taken from "Jambo and Other Call and Response Songs and Chants". Folkways Records / Smithsonian Folkways.
For use in Key Stag 3 go to: www.standards.dfes.gov.uk/schemes2/secondary_music/mus02/02q1?view=get

Official classification: Call and response, Audio, Kenya, Tanzania, United Republic of, Unit 19 Songwriter, Curriculum support, Unit 2. Form and structure

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Track 5 from Charanga / Saydisc / Christine Richards project - 'Listen to this' for Key Stage 2. Song and dance music from Uganda from Saydisc album 'Spirit of African Sanctus' (2'23")
Main features: instrumentation, rhythmic and melodic ostinatos, call and response.

This celebratory music from Uganda features a call and response, accompanied by two edongos (bowed harps), clap-sticks, seed-pod shaker and drum. The Track Explorer has four learning tracks focusing on instrumentation, melodic and rhythmic ostinatos and the call and response.

Official classification: Listening, Ostinato, Call and response, Interactive Activities, Key Stage 2, Key Stage 3, Uganda, East Africa, Choral (World), Unit 8 Ongoing Skills, Unit 15 Ongoing Skills, Edongo, Clapsticks, Seed pod shaker, Track Explorer, 4a Listening, and applying knowledge and understanding - aural memory, 4b Listening, and applying knowledge and understanding - elements and devices, Unit 9. Music for dance, Saydisc Records, Saydisc/Charanga World Music

Tags: Uganda accompanied call and response

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Track 9 from Charanga / Saydisc / Christine Richards project - 'Listen to this' for Key Stage 2. Traditional chant from Mangaia, Cook Islands from Saydisc album 'Spirit of Polynesia' (1'24")
Main features: structure, pulse.

This traditional chant from Mangaia, features a call and response between a solo singer and a group of singers, accompanied by clapping. The Track Explorer has two learning tracks focusing on clapping and structure.

Official classification: Listening, Example Voices, Call and response, Interactive Activities, Key Stage 2, Pacific, Chanting, Choral (World), Polynesia, Unit 8 Ongoing Skills, Unit 15 Ongoing Skills, Unit 19 Songwriter, Track Explorer, 4a Listening, and applying knowledge and understanding - aural memory, 4b Listening, and applying knowledge and understanding - elements and devices, Saydisc Records, Saydisc/Charanga World Music

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Track 13 from Charanga / Saydisc / Christine Richards project - 'Religions of the World' (2'56") A gospel song. This well known song features a call and response. The learning tracks of the Track Explorer focus on rhythm and tempo and the call and response structure.

Official classification: Listening, Call and response, Religion, Devotion & Meditation, Interactive Activities, Unit 15 Ongoing Skills, Track Explorer, Unit 2. Form and structure, Unit 12. Bhajan/qawwali, Christianity, Saydisc/Charanga World Music

Average rating: 0.0/5 Stars (0 votes)
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Track 10 from Charanga / Saydisc / Christine Richards project - 'Listen to this' for Key Stage 1. Ugandan music from Saydisc album 'Spirit of African Sanctus' (1'42") Main features: call and response, singing. This game song from Uganda is sung by children. The Track Explorer has one learning track focusing on the call and response pattern.

Official classification: Listening, Singing, Call and response, Interactive Activities, Key Stage 1, Voice, Child, Uganda, Track Explorer, Curriculum support, Charanga, Saydisc Records, Saydisc/Charanga World Music

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Track 15 from Charanga / Saydisc / Christine Richards project - 'Listen to this' for Key Stage 1. Music of the Rendille, Kenya from Saydisc album 'Disappearing World' (0'59") Main feature: call and response. This piece from Kenya features camel herding nomads singing a call and response. The two learning tracks of the Track Explorer focus on structure and the male voices.

Official classification: Listening, Call and response, Canon, Interactive Activities, Key Stage 1, Voice, Kenya, Track Explorer, Curriculum support, Charanga, Saydisc Records, Saydisc/Charanga World Music

Average rating: 0.0/5 Stars (0 votes)
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Short excerpt (3m22s) of Griot performance from Mali. This is part of a 50min show and features three performers with rhythmic backing, dancing and chanting in a call & response. A Griot is an African poet or storyteller and this genre of performance is thought to have influenced much of today's rap and hip hop music.

Official classification: Call and response, Poetry, Stories, Theatre, Video, Mali, Curriculum support

Tags: African, Call and response

Average rating: 4.0/5 Stars (1 vote)
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A stunning example of singing, vocal and beatboxing performance of 'We Can Work It Out' (Stevie Wonder/Beatles) from Music Through Unconventional Means. A good example of performance, pupils could observe how the lead performer also conducts the group performance and the call & response towards the end.

Official classification: Performing, Call and response, Video, Voice, Vocal Percussion, Beatboxing, Curriculum support

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One of two pieces by composer and musician Tobias Sturmer, written especially for a performance by pupils from Wandsworth at the Royal Festival Hall on 22nd March 2010.

This first piece provides a soft, calm introduction allowing all the performers to take their place on stage.

Although the music is newly composed, it is inspired by traditional Mandinka drumming rhythms from West Africa and uses many of the same structures, e.g. signals, bass drum accompaniments, call and response breaks etc. The music is easy to learn - picked up by our students within a couple of sessions - and appropriate for pupils in KS2 and KS3.

See Tobias Rhythm 1 - explanation for tutorial guide through the individual parts.

Official classification: Djembe, Rhythmic Density, Call and response, Video, Africa

Average rating: 0.0/5 Stars (0 votes)
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One of two pieces by composer and musician Tobias Sturmer, written especially for a performance by pupils from Wandsworth at the Royal Festival Hall on 22nd March 2010.

This second piece is 'party time', a quick-paced celebration of the djembe.

Although the music is newly composed, it is inspired by traditional Mandinka drumming rhythms from West Africa and uses many of the same structures, e.g. signals, bass drum accompaniments, call and response breaks etc. The music is easy to learn - picked up by our students within a couple of sessions - and appropriate for pupils in KS2 and KS3.

See Tobias Rhythm 2 - explanation for tutorial guide through the individual parts.

Official classification: Djembe, Rhythmic Density, Call and response, Video, Africa

Average rating: 0.0/5 Stars (0 votes)
0/5 Stars

Small_thumbnail

One of two pieces by composer and musician Tobias Sturmer, written especially for a performance by pupils from Wandsworth at the Royal Festival Hall on 22nd March 2010.

This first piece provides a soft, calm introduction allowing all the performers to take their place on stage.

Although the music is newly composed, it is inspired by traditional Mandinka drumming rhythms from West Africa and uses many of the same structures, e.g. signals, bass drum accompaniments, call and response breaks etc. The music is easy to learn - picked up by our students within a couple of sessions - and appropriate for pupils in KS2 and KS3.

See Tobias Rhythm 1 - performance to see how all the parts fit together.

Official classification: Djembe, Rhythmic Density, Call and response, Video, Africa

Average rating: 0.0/5 Stars (0 votes)
0/5 Stars

Small_thumbnail

One of two pieces by composer and musician Tobias Sturmer, written especially for a performance by pupils from Wandsworth at the Royal Festival Hall on 22nd March 2010.

This second piece is 'party time', a quick-paced celebration of the djembe.

Although the music is newly composed, it is inspired by traditional Mandinka drumming rhythms from West Africa and uses many of the same structures, e.g. signals, bass drum accompaniments, call and response breaks etc. The music is easy to learn - picked up by our students within a couple of sessions - and appropriate for pupils in KS2 and KS3.

See Tobias Rhythm 2 - performance to see how all the parts fit together.

Official classification: Djembe, Rhythmic Density, Call and response, Video, Africa

Average rating: 0.0/5 Stars (0 votes)
0/5 Stars

Displaying 1 to 13 of 13 resources labelled with 'Call and response'